Recently, All but the depraved were sickened by the senseless Parkland school shooting . As is always the case after such events, I struggle with the helplessness of the situation. Given the ingenuity of those who wish to create havoc, preventing their actions is impossible.

So, what can we do?

I’ve been pondering a not so original idea, putting security robots in schools. Unable to be taken down by bullets, these machines would deploy immediately after an attack is detected. They could not save the earliest victims, but would certainly prevent the high body counts to which we’ve become accustomed. And for perpetrators who care about their own lives, escape would be impossible.

Sounds like a decent solution, but is it? I believe arming robots would send us down a slippery slope with no return. Nowadays, it is easy to send missile-equipped drones to take out enemy targets. If robotic guards prove successful, It seems only natural that they would become the soldiers of tomorrow’s armies. And if we use them, so will our enemies.
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The prospect of robots fighting our wars is terrifying; not only would they be virtually indestructable, but they could be programmed to fight without morals. Even if their algorithms allowed them to simulate empathy, a simple hack could turn them against us.

So, if robots aren’t the answer, what is? I have another idea, which I’ll lay out soon.

Last week, I attended a writer workshop, sponsored by The Kenyon Review, one of the most prestigious literary journals in the US. As luck would have it, the Editor-In-Chief, a former classmate of my wife, was there to make introductory remarks. During a post-workshop conversation, my wife mentioned to this man that I had been writing Science-Fiction short stories for the past two years. Upon hearing this, his face tightened, and he said, “That’s an interesting genre.” His cool demeanor told the whole story; Science-Fiction was unworthy of discussion in literary circles.

This made me wonder; what is it about SF that offends the literary community , and expanding on that point, how should one value the worth of a piece of writing?

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I finally found a definition that resonated with me. Genre stories always have strong plots, while in literary work, the plots are much subtler, and in some cases, don’t exist at all. So, as a sweeping generalization, to the genre reader, most literary fiction is boring, while literary groups find genre books shallow.